Amplitube 5 Avenged Sevenfold May 2026
To nail the Avenged Sevenfold (A7X) sound in AmpliTube 5, you need a high-gain setup that balances aggressive distortion with mid-range clarity for those iconic dual-lead harmonies. 1. Amp & Cab Selection Synyster Gates famously uses his signature Schecter Hellwin and Bogner Uberschall amps. In AmpliTube 5, look for: Amp: Use the German Gain ( Bogner Uberschall model) or the (Peavey 5150 model) for that thick, aggressive crunch. Cabinet: Pair it with a 4x12 Modern M 1 or a for a tight low-end response. 2. Recommended Settings
For a standard A7X rhythm or lead tone, try these starting points:
Gain: 6.5–8.5 (Keep it lower for rhythm to maintain clarity, higher for solos).
Bass: 5.5 (Don't overdo it, or the palm mutes will get "muddy").
Mids: 3.5–4.5 (A slight scoop is common for metal, but keep enough for lead definition). Treble: 6.5–7.0. Presence: 7.0 (Crucial for the "bite" in Syn’s tone). 3. Essential Pedals & Effects Overdrive/Boost: Place a Tube Screamer model (like the " Overscream
") in front of the amp with the Gain at 0 and Level at 10 to tighten the attack for fast riffs.
Noise Gate: Essential to kill hiss between those sharp, palm-muted chugs.
Delay/Reverb: Use a Digital Delay for leads (around 300–400ms) with a subtle room reverb to add space without washing out the sound. 4. Setup & Tuning
Tuning: Most songs (like "Nightmare" and "Bat Country") are in Drop D (D-A-D-G-B-E). For "Hail to the King," drop everything another half-step to Drop C#. amplitube 5 avenged sevenfold
Guitar: Use the Bridge Pickup for all rhythms and heavy riffs.
You can find pre-made community presets for specific songs like "Buried Alive" or "City of Evil" on platforms like TikTok or YouTube.
To achieve the signature Avenged Sevenfold AmpliTube 5 , you need to model the high-gain, tight, and mid-forward tones used by Synyster Gates and Zacky Vengeance. While there is no official "Avenged Sevenfold" signature pack in AmpliTube 5
, you can recreate their studio and live rigs using the existing MESA/Boogie collections. Core Rig Setup
The band's sound relies on modern high-gain amplifiers paired with specific Vintage 30-loaded cabinets Amplifier Options: MESA/Boogie Triple Rectifier: The staple for albums like City of Evil Almost Easy . Use the "Modern" channel for a wide, aggressive sound. Bogner Ecstasy (XTC 3534):
Frequently used for the "Waking the Fallen" era to provide a more articulate, boutique gain structure. Marshall JVM410:
Good for balancing the high-end "sizzle" characteristic of their earlier metalcore work. Cabinet & Speakers: 4x12 Recto 4x12 Brit 30 Ensure speakers are Celestion Vintage 30s (V30s) to get the necessary mid-range punch. Microphone choice: Use a classic slightly off-center for a balanced recorded tone. Recommended Settings
A common mistake is "scooping" the mids too much. Synyster Gates typically uses a fairly balanced EQ to maintain clarity. High Gain Rhythm Clean Channel Essential Effects Chain Noise Gate: To nail the Avenged Sevenfold (A7X) sound in
Essential for tight staccato riffs. Set the threshold aggressively to cut string buzz between chugs. Overdrive (Tube Screamer/SD-1):
the amp with high volume and low drive to "tighten" the low end and boost the 1-2kHz range for presence. Graphic EQ:
Place this in the effects loop (after the amp) to cut muddiness around 200-300 Hz and add a slight boost at Compression: Use a compressor (like the
model) for leads to even out dynamics during fast alternate picking and sweeps. Album-Specific Presets "Waking the Fallen" Era:
Combine a Marshall JVM and a Bogner Ecstasy in a dual-amp setup. "Hail to the King": amp model with a 4x12 Closed 25 C cabinet for a more classic, hard-rock-focused gain. "Almost Easy": Stick to the Triple Rectifier
with a British 4x12 for that specific mid-2000s American metal sound. pedal models within AmpliTube 5 that best match their live pedalboards
For home studio producers, this pack solves a common mixing problem: Fizzy High-Gain.
Digital amp simulators often struggle with the "djent" or "chug" frequencies, resulting in a sound that is either too thin or too muddy. The Amplitube A7X collection uses IK’s "DIM™" (Dynamic Impulse Response) technology to capture the dynamic interaction between the amp and the speaker. For home studio producers, this pack solves a
The result is a tone that feels "live." It responds to pick attack similarly to a real tube amp. If you pick lightly, the tone cleans up slightly; dig in hard, and the saturation increases. This dynamic range is essential for playing A7X material, which relies heavily on articulation.
For leads like the Afterlife solo or The Stage, Synyster uses a Bogner Uberschall. AmpliTube has the "AmeriTube High" (or the Slash signature model if you own it). Switch to this channel for your solo tone.
For years, fans tried to replicate the A7X tone using generic high-gain amp sims. While close approximations were possible, the distinct "crunch" and "singing" lead tones of Synyster Gates remained elusive.
This expansion pack was developed with direct input from the band and their longtime live and studio engineer, Ben O’Neill. The goal was not just to offer generic metal amps, but to capture the specific signal chain used during the recording of their acclaimed album The Stage and subsequent tours.
Avenged Sevenfold uses the Ibanez Tube Screamer to tighten the low end. In AmpliTube 5, select the "Distortion 808" pedal (IK's model of the Ibanez TS808).
Why? You aren’t using this for distortion. You are using it to cut the bass frequencies going into the amp so the distortion stays tight.
For rhythm tones on albums like Nightmare and Hail to the King, they rely heavily on modded Marshalls. In AT5, use the "Brit 8000" (Marshall JCM 800).
Goal: Tight, dry, percussive palm mutes with a scooped mid-scoop but enough presence to cut.