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Apple entered the game late but has arguably the highest "hit rate" per dollar spent. Their productions aren’t popular in terms of viewership numbers (they are smaller than Netflix), but they are popular in awards season. CODA winning Best Picture was a seismic event for a streamer. Ted Lasso became a mental-health touchstone during the pandemic. Killers of the Flower Moon and Napoleon prove Apple is willing to finance auteur cinema that traditional studios deemed too expensive.

Netflix has also built a formidable animation division (Guillermo del Toro’s Pinocchio) and unscripted content (The Circle), making it a true full-service studio. brazzers abigail mac living on the edge xxx free

Sony may not own a streaming giant, but they lease their productions to the highest bidder. Their biggest win is the Spider-Man Universe (through Marvel deal), including Spider-Man: No Way Home ($1.9 billion). They also produce the Jumanji reboots and the wildly popular The Last of Us TV series (in partnership with HBO). Apple entered the game late but has arguably