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Ricardo Arjona 1985-2014 — Discografia De

Sello: Sony Music

Aquí ocurre un quiebre. Arjona deja el romanticismo simple para abordar la religión y la hipocresía social.


Sello: Independiente (Metamorfosis / Warner)

El título lo dice todo. Tras pelearse con Sony, Arjona lanza su propia compañía (Metamorfosis). Este es su disco más libre y experimental.

The official starting point of the discografia de Ricardo Arjona is Début. Released when he was just 21, this album is a rarity today. Recorded under RCA Records, it featured a pop-rock sound heavily influenced by the 80s ballads of the time.

The trajectory of Ricardo Arjona is one of the most fascinating phenomena in Latin American music. Between 1985 and 2014, the Guatemalan singer-songwriter did not merely release albums; he constructed a narrative universe that challenged the commercial stereotypes of Latin pop. Over these three decades, Arjona evolved from a romantic balladeer into a sharp social critic, establishing himself as the "Chronologist of the Americas."

Arjona non si limita a ripetere la formula dei successi: sperimenta sonorità e format, pubblicando album che giocano con arrangiamenti acustici, orchestrali e con produzioni più asciutte. I testi mantengono la complessità e la densità d’immagini.

In questi anni l’artista dimostra di sapersi reinventare senza perdere la sua cifra: mettere il contenuto lirico al centro, anche a costo di allontanarsi da sonorità mainstream.

Sello: Sony Music

Arjona se vuelve político. El título es una crítica al colonialismo y la migración forzada.

Looking at La Discografia De Ricardo Arjona 1985-2014 is like looking at a map of Latin American sentiment. He started as a romantic boy, grew into a cynical critic, and matured into a philosophical observer.

He didn't just write choruses; he wrote footnotes. He taught a generation that a song could be 5 minutes long and contain no repetition, just a story with a beginning, middle, and end. Discografia De Ricardo Arjona 1985-2014

Love him or hate him, from Déjame Decir Que Te Amo to Viaje, Ricardo Arjona built a cathedral of words.

What is your favorite Arjona album from this era? Drop a comment below.


¿Te gustó este post? Compártelo con un fan de Arjona que todavía escuche "Jesús, Verbo No Sustantivo" a todo volumen.

Ricardo Arjona 's discography from 1985 to 2014 covers his transformation from a local Guatemalan artist to an international superstar

. His work during this period is characterized by poetic, often controversial lyrics blending pop-rock, ballads, and Caribbean rhythms. Studio Albums (1985–2014) Déjame Decir Que Te Amo (1985) : His debut studio album. Jesús, Verbo No Sustantivo (1988)

: The album that launched his popularity in Central America. Del Otro Lado del Sol (1991) : His first major label release. Animal Nocturno (1993)

: His international breakthrough, featuring hits like "Mujeres". Historias (1994)

: Includes iconic tracks "Señora de las Cuatro Décadas" and "Historia de Taxi". Si el Norte Fuera el Sur (1996) : Focused more on social and political themes. Sin Daños a Terceros (1998) : Features the popular ballad "Desnuda". Galería Caribe (2000) : Explored tropical genres like salsa and merengue. Santo Pecado (2002) : Includes one of his biggest hits, "El Problema". Adentro (2005) : Featured "Acompáñame a Estar Solo". 5to Piso (2008) : Released under Warner Music Latina. Poquita Ropa (2010)

: A minimalist production focusing on acoustic arrangements. Independiente (2011)

: His first album under his own independent label, Metamorfosis. Viaje (2014) : The final major studio album of this era. Live Albums & Special Releases Vivo (1999) : Recorded during his "Sin Daños a Terceros" tour. Solo (2004) : A compilation and documentary package. Metamorfosis: En Vivo (2013) : A comprehensive live recording of his world tour. from a specific album in this timeline?

The discografía de Ricardo Arjona 1985-2014 encompasses the most formative and commercially dominant decades of the Guatemalan singer-songwriter's career. During this period, Arjona evolved from a struggling artist into a global icon, selling over 80 million records and defining a unique genre of "socially conscious Latin pop". Sello: Sony Music Aquí ocurre un quiebre

Below is a comprehensive guide to his studio albums and career milestones from his debut until 2014. The Early Years & Struggle (1985–1991)

Arjona's career began with commercial challenges as his initial labels attempted to market him as a traditional "Latin lover," a role that did not fit his lyrical depth.

Déjame Decir Que Te Amo (1985): His debut album was largely a commercial failure, leading Arjona to briefly abandon music for teaching and professional basketball.

Jesús, Verbo No Sustantivo (1988): A turning point featuring the controversial title track about his experiences in Catholic school. It became a massive hit in Central America and the U.S..

Del Otro Lado del Sol (1991): His first album with Sony Music, though it was one of his least commercially successful releases of the decade. International Breakthrough (1992–1999)

This era saw Arjona achieve superstardom across Latin America and Spain, characterized by hits that became cultural staples.

Animal Nocturno (1993): His breakthrough album, featuring hits like "Mujeres" and "Primera Vez." It reached 13 platinum certifications.

Historias (1994): Considered his most successful album, it sold over 2 million copies and included the timeless tracks "Te Conozco" and "Señora De Las Cuatro Décadas".

Si El Norte Fuera El Sur (1996): Arjona moved toward sociopolitical themes, exploring the relationship between Latin America and the U.S.. It was named Rock Album of the Year by Billboard.

Sin Daños a Terceros (1998): Continued his streak of hits with "Dime Que No" and "Desnuda," reaching No. 3 on the Billboard Latin Pop Albums chart. Experimental and Major Hits (2000–2010)

In the 2000s, Arjona experimented with Caribbean rhythms and acoustic arrangements while maintaining chart dominance. Sello: Independiente (Metamorfosis / Warner) El título lo

Galería Caribe (2000): His first album to reach No. 1 on the Top Latin Albums chart, blending pop with Caribbean influences.

Santo Pecado (2002): Included "El Problema," which spent eight consecutive weeks at No. 1 on the Billboard Hot Latin Songs chart.

Adentro (2005): A critical success that won both a Grammy Award for Best Latin Pop Album and a Latin Grammy. It featured the hits "Acompañame A Estar Solo" and "Mojado".

5to Piso (2008): His first album with Warner Music Latina, bolstered by the hit single "Cómo Duele".

Poquita Ropa (2010): A stripped-down, acoustic project that Arjona described as a more "naked" version of his music. The Independence Era (2011–2014)

Frustrated with major label constraints, Arjona founded his own label, Metamorfosis, becoming one of the most successful independent Latin artists.

Independiente (2011): His first independent release, which topped the Latin charts and featured the massive hit "Fuiste Tú" (feat. Gaby Moreno).

Viaje (2014): An introspective album inspired by his personal travels and the death of his mother, marking the end of this specific 1985-2014 era. Top Albums Summary (1985–2014) Album Title Peak (Billboard Top Latin) Historias Sin Daños a Terceros Galería Caribe Santo Pecado Adentro 5to Piso Independiente Viaje

Explore more about his extensive catalog and awards on the Official Ricardo Arjona Website.

The discography of Guatemalan singer-songwriter Ricardo Arjona

between 1985 and 2014 covers his evolution from a struggling artist to one of the most successful Latin musicians in history, with over 20 million albums sold worldwide. The Early Years (1985–1991)

Arjona's career began with commercial challenges before he found his signature sound.


Ricardo Arjona is one of the most successful and controversial Latin American singer-songwriters of all time. His discography between 1985 and 2014 documents an evolution from a tentative, commercially unsuccessful start to a career defined by massive global success, lyrical sophistication, and independence from major record labels. This report categorizes his work into three distinct eras: The Early Years, The Sony BMG Era (Mainstream Breakthrough), and The Independent Era.