Joe D-amato - Queen Of Elephants 2- Sahara -19... May 2026

To watch Joe D'Amato's Queen of Elephants 2: Sahara today is to glimpse a cinematic world that has vanished – a micro-genre where European directors could film mostly naked women in pseudo-Arabic palaces without irony or apology. It’s not great art, but it is pure D'Amato: resourceful, titillating, and strangely sincere in its pursuit of fantasy. For completists of Italian exploitation, tracking down this sandy relic is a rite of passage. For casual viewers, imagine a fever dream where I Dream of Jeannie meets Caligula – and you're halfway there.

Released in 1998, Queen of Elephants Part 2: Sahara (originally titled Sahara) is an adult erotic drama directed by the prolific Italian filmmaker Joe D’Amato. Although marketed as a sequel to his 1997 film Queen of the Elephants (La regina degli elefanti), it is a standalone story with no narrative connection or actual elephants. Key Production Details Director: Joe D'Amato (Aristide Massaccesi). Release Year: 1998. Filming Location: Tunisia (serving as Morocco).

Cast: The film stars adult performers Selen, Zenza Raggi, John Walton, and Amanda Steele. Plot Summary

The story follows two wealthy businessmen who travel to Morocco to purchase a leather company. During their trip, they are introduced to various exotic experiences and sexual encounters, including interactions with their secretaries and local residents. Background & Context

Marketing Strategy: The title Queen of Elephants 2 was primarily used for English-language DVD releases to capitalize on the success of the first film, which featured a Tarzan-style premise about a woman raised by elephants in Africa. Joe D-Amato - Queen Of Elephants 2- Sahara -19...

Production Style: Typical of D'Amato's late-career work, the film blends travelogue-style cinematography with explicit content. Despite the "Part 2" branding, the actors play entirely different characters from those in the original 1997 movie. Sahara (Video 1998) - IMDb

The term "exotic erotic" was coined precisely for films like this. D'Amato was not attempting realism but a dreamlike, orientalist fantasy reminiscent of 19th-century Orientalist painting (Delacroix, Ingres) filtered through 1970s Italian peplum and Russ Meyer-style bosom-heavy aesthetics. Key genre elements include:

Compared to Queen of Elephants 1 (possibly set in India or Africa), Sahara pushes toward a more monochromatic color palette – golds, browns, oranges – and less greenery, heightening the heat and isolation.

It looks like you’re referencing Joe D’Amato (a prolific Italian director known for horror, erotic, and exotic films) and possibly a title like Queen of the Elephants 2: Sahara — which isn’t a widely known official film, but might be a working title, a fan edit, or a misremembered entry from his vast filmography (e.g., Emanuelle in the Country, Emanuelle and the Last Cannibals, or his desert-set adventures). To watch Joe D'Amato's Queen of Elephants 2:

Based on that, I’ll invent a useful feature for fans or archivists dealing with obscure/exploitation films like D’Amato’s:

Taken together, the title promises: female authority, exotic locale, sequel stakes, and an ambiguous, possibly dystopian frame.

Joe D’Amato films often have 5–10 alternate titles (Queen of the Elephants could be a re-cut of Sahara or Violence in a Women’s Prison etc.). Fans looking for “Queen of Elephants 2 – Sahara” might find nothing, yet the footage exists under another name. No tool currently maps scene-by-scene across different edits.

"Queen Of Elephants 2- Sahara -19" is a film that, like many of D'Amato's works, blends eroticism with exotic locales. The title itself suggests a journey or a story set in or around the Sahara, potentially involving elephants, which could symbolize a range of themes from freedom and power to the exotic and the unknown. Released in 1998 , Queen of Elephants Part

The narrative is essentially a clothesline for the action set-pieces—and by "action," I mostly mean simulated sex scenes and people pointing guns at each other.

Set in the sun-scorched deserts of an unspecified North African location (likely filmed in Italy or a cheaper Mediterranean stand-in), the story follows a group of adventurers. Our heroes are on the run from bandits, corrupt officials, and rival treasure hunters. The goal? Survival, mostly.

D’Amato’s direction here is surprisingly competent in terms of lighting and framing. By 1995, he was a veteran, and he knew exactly how to shoot a scene to make it look glossy enough for the video store shelves. The pacing, however, is pure exploitation—alternating between tedious exposition and bursts of softcore erotica.