Karina Objeto Do Prazer 1981 -

Report on “Karina – Objeto do Prazer” (1981)

| Item | Details | |------|---------| | Title | Karina – Objeto do Prazer (sometimes listed simply as Objeto do Prazer) | | Year of Release | 1981 | | Country | Brazil | | Genre | Adult / Erotic drama (soft‑core) | | Director | José Mojica Marins (credited as J. Mojica for this project) | | Main Cast | • Karina – stage name of the titular performer (full name not widely documented)
• Supporting adult‑film actors typical of Brazil’s early‑80s erotic cinema | | Production Company | Produções Cinematográficas do Brasil (a small independent outfit that specialized in low‑budget erotic titles during the early 1980s) | | Runtime | Approximately 78 minutes (varies slightly by edition) | | Language | Portuguese (original audio) | | Format | 35 mm film, later transferred to VHS and, in the 2000s, to DVD for collectors’ markets | Karina Objeto Do Prazer 1981


Brazilian erotic cinema in the early 1980s Report on “Karina – Objeto do Prazer” (1981)

Karina as a performer


| Source | Type | Notes | |--------|------|-------| | Cineclube do Brasil – “Erotismo na década de 80” (article, 2015) | Academic article | Discusses the emergence of erotic cinema post‑militarism. | | Carvalho, L. “Karina: A Estrela da Porno‑ficção Brasileira” (chapter, Cinema e Sexualidade no Brasil, 2020) | Book chapter | Provides a brief biography of Karina and her filmography. | | IMDb entry for Objeto do Prazer (accessed 2024) | Online database | Lists cast, crew, and release details. | | Video Collection Catalog – “Brasil: 1978‑1985” (collector’s guide, 2008) | Print catalog | Lists home‑media releases and rarity ratings. | | National Film Archive of Brazil – “Catalog of 1980‑1985 Adult Films” (digital archive, 2022) | Archival listing | Confirms production company and distribution notes. | Brazilian erotic cinema in the early 1980s


  • Rhythm: A single pandeiro plays a partido alto pattern extremely quietly, almost subliminal. This is where the title "Object of Pleasure" hurts most—the music sounds like a beautiful machine, not a woman.