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Keith Jarrett - My Song -2015- -flac 24-192- -

Keith Jarrett’s My Song in 24-bit/192kHz FLAC is the closest most listeners will ever get to sitting in the control room during the 1978 sessions. It transforms a beloved ECM classic into a reference-grade audio experience—where silence, space, and subtlety become part of the music. For fans of European jazz impressionism and high-resolution audio, this is an essential addition to any digital library.


Available from: High-res music stores (Qobuz, HDTracks, Presto Music) and select P2P audiophile communities (with caution regarding file provenance). Always support the artists via official releases.

Keith Jarrett — My Song (24‑bit/192kHz FLAC edition) — Review

Overview My Song is one of Keith Jarrett’s most lyrical trio records, originally issued on ECM in 1978 with Jan Garbarek (tenor/soprano sax), Palle Danielsson (double bass) and Jon Christensen (drums). This high‑resolution 24/192 FLAC release (2015 remaster/reissue) brings new clarity and presence to an already intimate, pastoral set of Jarrett originals.

Music and Performance

Sound and High‑Resolution Transfer

Standout Tracks

Who This Is For

Verdict My Song remains a quietly beautiful, deeply musical album in Keith Jarrett’s discography. The 24‑bit/192kHz FLAC edition is a tasteful, faithful transfer that enhances tonal clarity and spatial detail without compromising the record’s original warmth and intimacy. Recommended for those who prize melody, atmosphere and the subtleties of trio interplay — and for audiophiles who want a higher‑resolution window into Jarrett’s contemplative side.

The 2015 high-resolution remaster of Keith Jarrett's My Song in FLAC 24-bit/192kHz represents a pinnacle of the "ECM sound," offering listeners the most transparent window yet into one of the most beloved jazz recordings of the 1970s. Originally recorded in November 1977 at Talent Studio in Oslo, Norway, the album remains the definitive statement of Jarrett's "European Quartet". The Context: The European Quartet

While Keith Jarrett was concurrently leading his "American Quartet" (featuring Dewey Redman and Charlie Haden), he formed a contrasting ensemble with three Scandinavian masters that would become known as the European Quartet: Keith Jarrett: Piano and percussion. Jan Garbarek: Tenor and soprano saxophones. Palle Danielsson: Double bass. Jon Christensen: Drums.

My Song is their second studio outing, following 1974’s Belonging. It is widely considered their most rewarding collaboration, noted for its "sublime simplicity" and haunting melodic directness. Unlike the more restless or "swinging" nature of other Jarrett projects, My Song is defined by a relaxed, introspective mood that still carries a deep, underlying tension. The 2015 Remaster: FLAC 24-bit/192kHz

For audiophiles and jazz devotees, the 2015 remaster is significant for its technical fidelity.

Technical Quality: The 24-bit/192kHz FLAC format captures the extreme nuances of Jan Erik Kongshaug's original engineering. Kongshaug was a "recording magician" known for creating the pristine, "airy" space associated with the ECM Records aesthetic. Keith Jarrett - My Song -2015- -FLAC 24-192-

Listening Experience: Reviewers describe the sound as "astounding," making it difficult to believe the recording is nearly 50 years old. The high-resolution file allows for better separation between Danielsson's lyrical bass and Christensen's textured percussion, while Garbarek’s soprano saxophone on the title track exhibits a "transcendent," wrenching emotion. Track-by-Track Breakdown

Jarrett composed all six original tracks, which blend elements of jazz, European folk, gospel, and classical music.

Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album

The Sublime Clarity of Keith Jarrett’s "My Song" (Hi-Res FLAC 24-192) For audiophiles and jazz enthusiasts alike, the 2015 high-resolution reissue of Keith Jarrett’s 1978 masterpiece, , represents a pinnacle in digital restoration. Released in FLAC 24-bit/192kHz

format, this version strips away the digital veils of earlier CD pressings, offering a transparency that brings you startlingly close to the original 1977 sessions at Talent Studio in Oslo. The Lineup: The "European Quartet"

This album remains the definitive statement of Jarrett's "European Quartet," a group characterized by a lyrical, airy, and "Nordic" sound that contrasts sharply with his more muscular American ensembles: Keith Jarrett : Piano, Percussion Jan Garbarek : Tenor and Soprano Saxophones Palle Danielsson : Double-Bass Jon Christensen Why the 24/192 FLAC Matters

While original ECM vinyl pressings are legendary for their "tubey magical midrange," they often suffer from surface noise or transient smear over time. The 24/192 hi-res files Micro-Detail

: You can hear the physical "pluck" of Danielsson’s bass strings and the subtle breath control of Garbarek’s saxophone. Soundstage

: The "Blackest" backgrounds allow the instruments to occupy a three-dimensional space, extending well beyond the speakers. Dynamic Range

: From the delicate, mournful title track to the "chaotic madness" of "Mandala," the high bit-rate handles the album's extreme shifts in intensity without clipping or compression. Key Tracks to Revisit Peachtree Audio amp500 26-Mar-2020 —

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The 2015 high-resolution remaster of Keith Jarrett’s (FLAC 24-bit/192kHz) is widely regarded by audiophiles as a definitive digital version of this 1978 jazz masterpiece. This release preserves the legendary "ECM sound" originally captured at Talent Studio in Oslo by engineer Jan Erik Kongshaug, known for his "crystalline" and "airy" recording style. musicophilesblog.com Performance and Composition The album features Jarrett’s "European Quartet"

—a powerhouse ensemble consisting of Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums). The Listeners' Club The Title Track "My Song" Keith Jarrett’s My Song in 24-bit/192kHz FLAC is

: A hauntingly simple, folk-inflected melody that has become a jazz standard. Critics highlight Garbarek’s "soulful, restrained" performance as emotionally wrenching and transcendent. Musical Range

: While tracks like "Country" lean into a joyous, gospel-inspired lyricism, the album also veers into "frenetic" hard bop and free jazz territory with "Mandala," which features Jarrett plucking the piano strings directly.

: The quartet is praised for a "holistic transcendence," where individual egos are set aside for the benefit of the composition, particularly on the 10-minute closing epic, "The Journey Home". Between Sound and Space: ECM Records and Beyond 2015 Remaster Quality (24-bit/192kHz)

: Reviewers note that the 2015 hi-res remaster is of "astounding quality," making the nearly 50-year-old recording sound modern and fresh. Soundstage

: The hi-res format allows listeners to "hear into" the recording, providing a sense of being in the studio with the band. Comparison

: While some purists still prefer the original vinyl for its "tubey magical midrange," the 24/192 FLAC is considered the best digital option for those wanting to avoid the "lifeless" quality often found in standard CD reissues. musicophilesblog.com Keith Jarrett - My Song - CD | JazzMessengers

Certainly! Here’s a detailed review of Keith Jarrett – My Song (2015 – FLAC 24-bit/192kHz), focusing on both the musical content and the technical audio quality of this high-resolution release.


Keith Jarrett’s "My Song" is an album that rewards deep listening. It is not a technical showcase; it is a emotional journey through folk, modal jazz, and classical restraint. However, the 2015 24-bit / 192 kHz FLAC release respects that emotional content by removing the technical barriers of lower-resolution formats.

You will hear Jan Garbarek inhale before a phrase. You will hear Keith Jarrett hum along with his solo (a trademark habit, but now clearer). You will hear the Oslo winter silence surrounding the quartet. For the collector, the audiophile, and the lover of transcendent jazz, this is not merely a file—it is the closest you will get to sitting in the control room at Talent Studio in 1977.

Do not settle for the CD. Do not settle for streaming compression. Find the 2015 FLAC 24-192. Let the journey home begin.


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Resurrecting a Masterpiece: Keith Jarrett's My Song in High-Res FLAC

In 1978, Keith Jarrett and his "European Quartet" released My Song, an album that would become a cornerstone of contemporary jazz. Decades later, the 2015 remaster in FLAC 24-bit/192kHz offers listeners a chance to experience this legendary session with unprecedented clarity and depth. The Sound of High Fidelity Sound and High‑Resolution Transfer

The 2015 high-resolution release is not just a digital update; it's a sonic preservation of the original session recorded at Talent Studios in Oslo. Engineered by the late Jan Erik Kongshaug, known for his "recording magic," the 24-bit/192kHz files capture the nuanced interplay of the quartet in startling detail.

The Piano: Jarrett’s piano, often described as having a "liquid" quality, benefits from the higher sampling rate, revealing the delicate decay of notes and the physical impact of the hammers.

The Quartet: The interplay between Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums) is more transparent than ever, allowing the listener to "see" the performers in a three-dimensional soundstage. An Essential Journey

My Song is celebrated for its blend of introspection and rhythmic vitality. The album features six original compositions by Jarrett, ranging from the hauntingly beautiful title track to the more experimental "Mandala".

"My Song": A lyrical masterpiece that has become a jazz standard, often returning in Jarrett's solo concerts.

"Country": A track where the quartet finds a "winning gospel mode," showcasing their effortless synergy.

"The Journey Home": An epic 10-minute closer that cycles through moods, from melancholy to spirited folk-like melodies. A State of Grace

Critics and fans alike consider My Song the peak of the Jarrett-Garbarek collaborations. It achieves a "state of grace" that transcends genre, making it a must-have for both seasoned audiophiles and those new to Jarrett’s expansive body of work.

Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album

The Keith Jarrett - My Song (1978/2015 Remaster) is a high-resolution digital reissue of one of the most celebrated albums in modern jazz history. Originally recorded in November 1977 at Talent Studio in Oslo, this album features Jarrett’s iconic "European Quartet". Album Overview Personnel: Keith Jarrett: Piano, Percussion Jan Garbarek: Tenor and Soprano Saxophones Palle Danielsson: Double-Bass Jon Christensen: Drums

Musical Style: The album is noted for its relaxed, introspective atmosphere and melodic accessibility, bridging the gap between Jarrett's complex improvisations and more traditional jazz forms. It is widely considered the most rewarding collaboration between Jarrett and Garbarek. The 2015 High-Resolution Remaster

The 2015 release in FLAC 24-bit/192kHz (also available in 24-bit/96kHz) is frequently praised by audiophiles for its "astounding quality".

Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album


Jarrett’s infamous humming and singing along with his playing is either a blessing or a curse. In this remaster, it is a revelation at lower levels. During the piano solo on “The Journey Home,” you can hear Jarrett’s voice a full 10 feet to the left of the piano, with the microphone pickup pattern naturally attenuating him. It feels like sitting in the control room, not on stage.