The episode wastes no time. We meet Antonio Recio (Jordi Sánchez) and his wife Berta (Nathalie Seseña), who believe they have struck gold. They have sold their old, functional apartment to buy a "luxury penthouse" in the brand new Mirador de Montepinar. The name itself is ironic: "Montepinar" suggests a pine forest; "Mirador" suggests a view.
What do they get? A half-finished building, an elevator that sounds like a dying animal, and a hole in the ground where the pool will be—eventually. The genius of 1x1 is that it pulls no punches. Within the first ten minutes, we understand that this community is a scam run by the slimy developer, Enrique Pastor (Fernando Tejero).
The episode opens with a dramatic (and deliberately absurd) event: a helicopter crashes into a luxury apartment complex in Madrid called Mirador de Montepinar. The accident is fatal for one of the residents, setting off a chain reaction of selfish, hilarious, and petty behavior among the neighbors. la que se avecina 1x1 best
Rather than mourning, the residents see the tragedy as an opportunity. The centerpiece of the episode involves the community pool. Due to the crash, a crack forms, and water begins leaking into the parking garage. But instead of fixing the problem properly, the neighbors—led by the scheming president Antonio Recio—decide to divert the leaking water into the pool of the rival building across the street, causing that pool to overflow dramatically ("el derrame de piscina" of the title). It’s a perfect metaphor for the show: rather than cooperate, everyone tries to offload their problems onto someone else.
If you search "la que se avecina 1x1 best scene" on YouTube, you will find one clip dominating the results: The Community Meeting. The episode wastes no time
This is arguably the greatest first-meeting scene in television history. Held in a dusty, unpainted room, the residents sit on plastic chairs. Enrique tries to speak. Recio interrupts. Maxi (the doorman) tries to calm things down.
The moment that breaks the internet? When Antonio Recio grabs the community ledger, discovers Enrique has stolen the "painting fund," and throws the book at him. The chaos that ensues—with Berta fainting, Leo crying, and Mariví thinking the building is collapsing—is perfectly timed slapstick. The name itself is ironic: "Montepinar" suggests a
When La que se avecina (literally "What’s Coming Our Way") first aired on April 22, 2007, it carried the immense weight of following Aquí no hay quien viva, one of Spain’s most beloved sitcoms. Created by the same team (Alberto Caballero, Laura Caballero, and Daniel Deorador), the new series needed to prove it wasn’t just a carbon copy. Episode 1, titled "Un derrame de piscina" ("A Pool Spill"), accomplishes this masterfully, establishing the tone, characters, and conflicts that would sustain the show for over a decade.
Directed by Laura Caballero (who would go on to perfect the "outdoor multi-camera" style), episode 1x1 masterfully uses the exterior "mockumentary" style (no talking heads, but shaky camera movements during arguments). The lighting is warmer than later seasons (which made Montepinar look like a hospital). The sound design—specifically the echo in the stairwell—adds a layer of realism that makes the verbal fights feel immediate.
The episode revolves around the election of the new community president. Maxi wants to leave, so a vote is called. The scene where Antonio Recio gives his "campaign speech" is gold. He doesn't promise better maintenance or lower fees; he promises to "impose order through terror." The way he looks at Nando and whispers, "Te voy a hacer la vida imposible" (I'm going to make your life impossible), is so fresh and venomous that you immediately hate him and love him simultaneously.
The writing duo of Alberto Caballero and Laura Caballero made a calculated risk by transplanting three characters from Aquí no hay quien viva (Juan Cuesta, Mauri, and Emilio) while surrounding them with fresh faces.