This report examines the 2011 album The Best Is Yet To Come by Dutch jazz and pop vocalist Laura Fygi, with a focus on its technical encoding as a FLAC (Free Lossless Audio Codec) release. The album represents a mature chapter in Fygi’s career, featuring a collection of jazz standards, pop classics, and Latin-infused ballads. The availability of this album in FLAC format indicates a target audience of audiophiles and serious music collectors who prioritize sound quality over compressed file sizes.
To understand the importance of Laura Fygi - The Best Is Yet To Come -FLAC- -2011-, one must understand FLAC (Free Lossless Audio Codec). Unlike MP3 or AAC, which discard musical information to save space (lossy compression), FLAC compresses without losing a single bit of the original PCM audio data. For a typical listener on earbuds, the difference may be subtle. But for a dedicated listener with a high-resolution DAC (Digital-to-Analog Converter), good headphones, or a hi-fi system, the difference is revelatory.
Here is what FLAC preserves on this particular album:
This is where the review turns critical. The FLAC release (typically 16-bit/44.1kHz or 24-bit/96kHz depending on vendor) offers a significant upgrade over standard MP3 or even the original CD, but with caveats.
The Good:
The Caveats:
Verdict on FLAC: If you own decent headphones or a revealing hi-fi system (think studio monitors or planar magnetics), the FLAC version is definitely the way to hear this compilation. The increased transparency serves Fygi’s quiet dynamics well. On a smartphone with earbuds, you won’t hear a meaningful difference from a 320kbps MP3.
Why specify -2011- in the keyword? Because The Best Is Yet To Come was originally released in 2011 on the T2 Entertainment label (distributed by Universal). This was a transitional period in digital music.
In 2011, streaming was still in its infancy (Spotify launched in the US only in July 2011). The predominant digital format was still the 256kbps or 320kbps MP3, often purchased from iTunes or Amazon. CD sales were declining, but audiophile communities on forums like What Hi-Fi? and Head-Fi were evangelizing FLAC. High-resolution downloads were becoming available from sites like HDTracks and Qobuz, though they were niche.
The 2011 FLAC release of this album is significant because it represents a “sweet spot” in mastering. It is not the overly loud, dynamically compressed remaster of a later reissue. It retains the original dynamic range, which, according to analysis on the Dynamic Range Database (DR Database), scores favorably (typically DR10-DR12), meaning ample room between the quietest and loudest passages. Later “loudness war” remasters, even in FLAC, often squash this vitality.
The Best Is Yet To Come (2011) in FLAC format is a high-fidelity representation of Laura Fygi’s sophisticated vocal jazz style. For archivists and audiophiles, this lossless version is the definitive digital edition, preserving every nuance of the original mastering. Casual listeners may find MP3 sufficient, but FLAC unlocks the album’s full sonic warmth—making it a valuable asset in any serious jazz or vocal pop collection.
Recommendation: If acquiring this FLAC release, verify the source (official download, CD rip with logs, or a reputable HD store) to ensure it is not a transcode from a lossy source. For playback, use a DAC and quality headphones/speakers to appreciate the lossless benefits fully.
End of Report
Released in 2011, The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi. It stands as a significant milestone, marking the 20th anniversary of her solo career.
While Fygi had explored various genres—including Latin, chanson, and pop—this album was a fulfillment of a long-term professional dream: recording with a full-sized big band. 🎶 The Musical Concept
The album is a high-fidelity tribute to the "Golden Age" of jazz, featuring sophisticated arrangements of Great American Songbook standards.
The Big Band Sound: Arranged and produced by Jan Menu and Johan Plomp, the settings were designed to recall the iconic collaborations of Frank Sinatra and Peggy Lee with legendary arrangers like Billy May.
Vocal Style: Fygi, often compared to Julie London for her "husky" and intimate tone, utilized this album to showcase a wider range and sharper interpretive skill than her previous, more minimalist works. 📜 The Tracklist Story
Every song on the album was selected because it held a personal meaning for Fygi, who considers herself a "storyteller" first.
"Too Darn Hot": Fygi famously drew on her experiences performing in the intense heat of Asia to capture the essence of this Cole Porter classic.
"Rose, Rose, I Love You": A standout bonus track on certain editions, she performs this classic partially in Mandarin, a nod to her massive popularity in the Asian market where she is often hailed as a "Jazz Queen".
"Smile": A heartfelt rendition of the Charlie Chaplin standard, featuring a trumpet solo by Ruud Breuls. 💎 The Audiophile Connection Laura Fygi – The Best Is Yet To Come - Discogs
Laura Fygi - The Best Is Yet To Come -FLAC- -2011-: A Timeless Jazz Legacy
In the realm of jazz, there are few artists who have managed to captivate audiences with their unique blend of soul, sophistication, and timeless elegance. Laura Fygi, a Dutch jazz singer, is undoubtedly one of them. With a career spanning over two decades, Fygi has established herself as a leading figure in the jazz scene, and her 2011 album, The Best Is Yet To Come -FLAC-, is a testament to her enduring talent.
The Artistry of Laura Fygi
Born on June 20, 1961, in Amsterdam, Netherlands, Laura Fygi began her musical journey at a young age. Her early exposure to jazz and American music led her to develop a distinctive style that seamlessly blends traditional jazz with contemporary influences. Fygi's vocal prowess, characterized by her warm, velvety tone and impressive range, has drawn comparisons to jazz legends such as Ella Fitzgerald and Billie Holiday.
Throughout her career, Fygi has collaborated with numerous renowned musicians, including Chet Baker, Mulgrew Coleman, and Kenny Barron. Her versatility and adaptability have allowed her to navigate a wide range of musical styles, from traditional jazz and swing to blues and pop. This eclecticism is evident in her discography, which boasts an impressive array of critically acclaimed albums.
The Best Is Yet To Come -FLAC- -2011-
Released in 2011, The Best Is Yet To Come is a masterful collection of jazz standards and original compositions that showcase Fygi's interpretive skills and artistic depth. The album, available in FLAC (Free Lossless Audio Codec) format, offers a high-quality listening experience that faithfully reproduces the nuances of Fygi's performances.
The album's title, The Best Is Yet To Come, is a nod to the classic standard made famous by Frank Sinatra, which is also featured on the record. Fygi's rendition of this timeless song is a highlight of the album, with her expressive vocals and subtle phrasing imbuing the lyrics with a sense of longing and optimism.
The album's tracklist is a thoughtful curated selection of songs that demonstrate Fygi's mastery of jazz and her ability to reimagine classic material. From the opening notes of the album's first track, "The Nearness of You," it's clear that Fygi is on a mission to create a lasting musical legacy. Her performances on songs like "Let's Face the Music and Dance" and "I Can See Clearly Now" are characterized by their warmth, wit, and emotional resonance.
Musical Highlights and Collaborations
One of the standout features of The Best Is Yet To Come is the exceptional musicianship on display. Fygi is joined by a talented ensemble of musicians, including pianist Marnix Dissel, bassist Charles Diergaarde, and drummer Hans van Rijen. The chemistry between Fygi and her accompanists is palpable, with each musician bringing their unique perspective to the album.
A notable highlight of the album is Fygi's duet with guitarist Robben Ford on the song "The Best Is Yet To Come." Ford's distinctive playing style, which blends elements of jazz, blues, and rock, adds a new dimension to the album, and his interplay with Fygi is nothing short of magical.
Legacy and Impact
The Best Is Yet To Come -FLAC- -2011- has been widely praised by critics and audiences alike, with many considering it one of Fygi's finest works. The album's timeless appeal lies in its ability to evoke a sense of nostalgia while remaining firmly rooted in the present. Fygi's music has transcended generations, appealing to both longtime jazz enthusiasts and newcomers to the genre.
In conclusion, Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a must-listen for anyone who appreciates exceptional jazz and timeless music. With its exceptional sound quality, memorable performances, and enduring appeal, this album is sure to delight listeners for years to come. If you're a fan of jazz, or simply looking to explore the genre, The Best Is Yet To Come is an excellent starting point, and a testament to Laura Fygi's status as one of the leading voices in jazz today.
Technical Specifications:
Availability:
The Best Is Yet To Come -FLAC- -2011- is available for streaming and download on various online platforms, including Amazon Music, eMusic, and Google Play Music. For those who prefer physical media, the album is also available on CD and vinyl.
Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" is a landmark recording in Laura Fygi's discography. This 12th studio album represents a significant departure from her previous work, as it is her first full-scale big band recording. Album Overview & Recording
After years of performing with various ensembles, Fygi realized a long-held dream by recording with a full-sized big band led by Jan Menu and Johan Plomp, who also served as the album's co-arrangers and producers. The arrangements are designed to evoke the classic big band era, drawing comparisons to the legendary works of Peggy Lee, Frank Sinatra, and Julie London. Musical Style & Tracklist
Fygi, often described as a "storyteller" rather than just a vocalist, selected a repertoire of standards that allow her to express a range of emotions, from the celebratory to the melancholic. The album reached #28 on the Netherlands music charts and remained on the charts for five weeks. The standard tracklist includes: The Best Is Yet To Come (3:15) Smile (feat. Ruud Breuls) (3:35) Too Darn Hot (feat. Bert Boeren) (3:57) I've Got A Crush On You (feat. Jan Menu) (3:48) This Can't Be Love (feat. Ruud Breuls) (3:35) Cheek To Cheek (feat. Sjoerd Dijkhuizen) (3:53) Fever (3:55) That Old Black Magic (feat. Maarten van der Grinten) (4:17) It's Easy To Remember (4:51)
You and the Night and the Music (feat. Sjoerd Dijkhuizen) (3:26) Old Devil Moon (feat. Hans Vroomans & Bert Boeren) (4:23) The Good Life (feat. Sjoerd Dijkhuizen) (4:22) Rose, Rose, I Love You (Bonus Track - sung in Mandarin) Technical Quality: The FLAC Advantage
For audiophiles, the FLAC (Free Lossless Audio Codec) version of this 2011 release is particularly sought after. Unlike standard MP3s, FLAC provides a bit-perfect copy of the original CD audio, ensuring that the lush textures of the big band's brass and the intimate nuances of Fygi's vocals are preserved without compression loss. This high-fidelity format is ideal for showcasing the production work of Menu and Plomp, capturing the "live" energy of the studio session.
Critics have noted that Fygi’s voice, which "smolders with London-worthy intensity," is perfectly complemented by these sophisticated arrangements. You can find more details about her extensive career and other releases on her Official Discography. Laura Fygi: The Best Is Yet to Come - JazzTimes
Here’s a suggested text suitable for a catalog, review, or personal music library note regarding Laura Fygi - The Best Is Yet To Come (FLAC, 2011):
Laura Fygi – The Best Is Yet To Come (2011, FLAC)
Dutch jazz vocalist Laura Fygi delivers a warm, sophisticated listening experience with her 2011 album The Best Is Yet To Come. True to its title, the record radiates optimism and timeless elegance, blending classic jazz standards with carefully chosen pop and bossa nova influences. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
This FLAC version preserves the full richness of Fygi’s contralto voice—velvety, controlled, and intimately expressive. Backed by lush, unobtrusive arrangements, tracks like the title song “The Best Is Yet To Come,” “Bésame Mucho,” and “I Only Have Eyes for You” benefit from the lossless format’s clarity, revealing subtle instrumental detail (warm double bass, soft brushwork, delicate piano phrasing) that might be lost in compressed formats.
For audiophiles and jazz-pop enthusiasts, this 2011 release marks a confident, mature chapter in Fygi’s career—proof that even when revisiting classics, the best can indeed be yet to come.
Recommended for: evening listening, vocal jazz collections, FLAC-based high-fidelity setups.
Released in 2011, The Best Is Yet to Come is the 12th studio album by jazz vocalist Laura Fygi. This record marks a significant milestone in her career, celebrating her 20th anniversary as a solo artist and serving as her first-ever recorded session with a full-sized big band. Album Overview
The album is a collection of jazz standards popularized by legends such as Frank Sinatra, Tony Bennett, and her primary idol, Julie London. Recorded in the Netherlands and released under labels like T2 Entertainment, the project fulfills a long-held wish for Fygi to record in a big-band setting after years of performing live with such ensembles.
Musical Style: Traditional big-band jazz and vocal pop, characterized by lush arrangements that draw comparisons to the classic 1950s and '60s works of Peggy Lee.
Production: Co-arranged and produced by Jan Menu and Johan Plomp, two of Fygi’s longtime collaborators.
Audio Quality: While originally released on CD, high-fidelity versions (such as FLAC) highlight the detailed instrumentation of the big band and Fygi's signature "husky" vocal texture.
The album features 13 tracks, including a unique Mandarin rendition of "Rose, Rose, I Love You". Song Title The Best Is Yet To Come Cy Coleman / Carolyn Leigh Smile Charlie Chaplin Too Darn Hot Cole Porter I've Got A Crush On You George & Ira Gershwin This Can't Be Love Rodgers & Hart Cheek To Cheek Irving Berlin Fever Cooley / Davenport That Old Black Magic Arlen / Mercer It's Easy To Remember Rodgers & Hart You and The Night and The Music Dietz / Schwartz Old Devil Moon Harburg / Lane The Good Life Sacha Distel / Jack Reardon Rose, Rose, I Love You Wilfrid Thomas / Chen Gexin Critical Reception
Critics have praised the album for its "smoldering intensity" and Fygi's sharp interpretive skills. Reviewers from JazzTimes noted that the big-band arrangements perfectly complement her sophisticated, seductive vocal style, making it a standout entry in her extensive discography. Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011, "The Best Is Yet to Come" is the 12th studio album by Dutch jazz vocalist Laura Fygi. It is a landmark release in her career, marking the 20th anniversary of her solo debut and serving as her first-ever session recorded with a full-sized big band. Album Overview Laura Fygi – The Best Is Yet To Come - Discogs
Laura Fygi's 2011 album "The Best Is Yet To Come" is a masterful blend of jazz, pop, and world music influences, showcasing the Dutch singer's incredible vocal range and emotional depth. The album, which features 12 tracks, including the iconic title track, is a testament to Fygi's enduring talent and dedication to her craft.
From the opening notes of the album's first track, "The Best Is Yet To Come," it's clear that Fygi is on a mission to deliver a memorable and impactful listening experience. Her voice, which effortlessly glides between sultry and soulful, is perfectly suited to the album's eclectic mix of styles. Whether she's interpreting a timeless standard or delivering an original composition, Fygi's vocal delivery is always characterized by its remarkable expressiveness and nuance.
Throughout the album, Fygi draws inspiration from a wide range of sources, incorporating elements of jazz, blues, and world music into her songs. The result is a richly textured sound that is both timeless and contemporary. Tracks like "Rain" and "Feelin' Alright" showcase Fygi's ability to craft memorable melodies and hooks, while songs like "Lover's Prayer" and "Clair de Lune" demonstrate her impressive vocal range and control.
One of the standout features of "The Best Is Yet To Come" is Fygi's incredible interpretive ability. Whether she's singing a familiar standard or an original composition, she always seems to find a way to make the lyrics her own. Her vocals on tracks like "The Nearness of You" and "It Don't Mean a Thing" are particularly noteworthy, as she brings a deep understanding and emotional resonance to these timeless classics.
The album's production is also noteworthy, with Fygi working with a range of talented musicians and producers to create a rich and immersive sound. From the lush orchestral arrangements on "Lover's Prayer" to the stripped-down intimacy of "Rain," the album's sonic landscape is varied and engaging.
Overall, "The Best Is Yet To Come" is a truly exceptional album that showcases Laura Fygi's remarkable talent and artistry. With its eclectic mix of styles, memorable melodies, and impressive vocal performances, it's an album that will appeal to fans of jazz, pop, and world music alike. As the title track suggests, the best is indeed yet to come from this gifted artist, but for now, this album is a must-listen for anyone who appreciates great music.
Musically, the album can be characterized by:
The essay can be wrapped up with this thought:
Laura Fygi's "The Best Is Yet To Come" stands as a testament to her artistry and musical prowess. A must-listen for fans of jazz and beyond.
The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi
, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview
Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music
in Taiwan, where it included a Mandarin-language bonus track. Amazon.com This report examines the 2011 album The Best
The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception
Critics praised the album for its lush production and Fygi's "velvety" vocal delivery.
noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes
This blog post highlights the 2011 release The Best Is Yet To Come by renowned Dutch jazz vocalist Laura Fygi , available in high-fidelity The Artist and the Album
Laura Fygi is celebrated for her sultry, sophisticated voice and her ability to seamlessly blend jazz, bossa nova, and traditional pop. Released in 2011, The Best Is Yet To Come
serves as a polished tribute to the Great American Songbook, featuring lush arrangements and Fygi's signature intimate delivery. Tracklist Highlights
The album features timeless standards and upbeat swing numbers, including: "The Best Is Yet To Come" – The titular track, delivered with playful elegance.
– A tender, emotive rendition of the Charlie Chaplin classic. "I've Got You Under My Skin" – A sophisticated take on the Cole Porter staple. "The Way You Look Tonight" – A romantic, smooth jazz interpretation. Audio Quality: Why FLAC? For audiophiles, the FLAC (Free Lossless Audio Codec)
version of this album is the preferred choice. Unlike MP3s, FLAC provides bit-perfect copies of the original CD, ensuring that every nuance of Fygi’s vocal texture and the crispness of the orchestral backing is preserved.
Whether you are a longtime fan of Laura Fygi or a newcomer to contemporary vocal jazz, The Best Is Yet To Come
is a essential addition to any collection. Its combination of high-production value and Fygi’s timeless charisma makes it a perfect soundtrack for a relaxed evening. similar to Laura Fygi or look for high-resolution audio sources for this specific album?
Laura Fygi: The Best Is Yet To Come (2011) Released in February 2011, The Best Is Yet To Come is the 12th solo album from Dutch jazz vocalist Laura Fygi . This milestone release marked the 20th anniversary
of her solo career and stands out as her first full-length recording accompanied by a large big band. Album Overview
Produced and arranged by Jan Menu and Johan Plomp, the album features Fygi’s interpretations of jazz standards popularized by legends like Frank Sinatra, Tony Bennett, and her personal idol, Julie London. Critics have noted that the arrangements evoke the "cool jazz" era of the 1950s and 60s, drawing stylistic comparisons to the work of
The album consists of 12 classic standards, with certain regional releases (such as the Taiwan and China versions) including a Mandarin-language bonus track. The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus Track - Mandarin version) Critical Reception
The album received positive reviews for its high production value and Fygi’s sophisticated vocal delivery.
praised the reimagining of "Fever" as a "three-alarm blaze" and noted the smart placement of Fygi within big band settings that showcased her interpretive skills. Technical Details
For audiophiles, the album was released across various high-fidelity formats. While the standard release was on CD via T2 Entertainment Universal Music
, it has since become a popular title in lossless digital formats like
due to the rich, dynamic range of the big band orchestration. from this era or see more details on Laura Fygi's earlier discography Laura Fygi: The Best Is Yet to Come - JazzTimes
The identifier “-FLAC-” in the topic string is critical for understanding the release’s intended use case.
| Aspect | Description | |--------|-------------| | Lossless Compression | FLAC reduces file size (typically by 30–50%) without discarding any audio data, unlike MP3 or AAC. | | Bit Depth / Sample Rate | Likely 16-bit / 44.1 kHz (standard CD quality), though some reissues may appear in 24-bit / 96 kHz. | | Audio Fidelity | Preserves the original master’s dynamic range, stereo imaging, and transient detail—essential for jazz vocals and acoustic instruments. | | Metadata | FLAC supports rich tagging (artist, album, cover art, track numbers, and even cue sheets), enabling seamless playback on high-end streamers (e.g., Roon, Plex, Foobar2000). |
Advantages for this album:
Source Consideration: A 2011 FLAC release likely originates from a CD rip (unless marketed as a “Studio Master” download from platforms like Qobuz or HDtracks). To verify authenticity, one should check logs for AccurateRip or XLD secure ripping reports. The Caveats:
Laura Fygi (born 1955) is a Dutch singer who rose to fame in the 1990s as one of Europe’s premier contemporary jazz vocalists. After starting in the disco group Centerfold, she launched a highly successful solo career, known for her warm, smoky contralto voice and intimate phrasing. Her repertoire blends bossa nova, American songbook standards, and romantic pop.