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We are no longer looking at "mother of the bride." Look at the characters dominating the discourse:

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Representation for mature women in cinema isn't a vanity project; it is a psychological necessity. We live in a culture obsessed with "pre-aging" serums and preventative Botox. Seeing 60-year-old women on screen who are angry, lustful, clumsy, victorious, and grieving gives the rest of us permission to take up space. We are no longer looking at "mother of the bride

When Emma Stone won her second Oscar, she thanked the older women on set who taught her that "the fear of turning 35 is a marketing scheme." When Margot Robbie produces films, she actively seeks out veteran actresses to subvert the "best friend" role. We live in a culture obsessed with "pre-aging"

The message is clear: A woman’s story does not end at menopause. It often just gets started.