The Concerto Grosso series by Trolls represents a significant milestone in their discography, showcasing their ability to reimagine classic library music tracks with a contemporary twist. Concerto Grosso N1 e N2, the first two installments in this series, have been particularly well-received, offering a seamless blend of vintage vibes and modern production techniques. The fact that these albums are available in high-quality FLAC S TOP format has only added to their appeal, allowing audiophiles to appreciate the rich textures and depth of the music.

Five years later, after artistic shifts and lineup changes, New Trolls returned with Concerto Grosso N.2. Darker, more symphonic, and laced with Mellotron, this album abandoned the pop sensibilities of the first for pure, unadulterated prog. Tracks like "La Nuova Ali di Abramo" and "I Cavalieri del Tavolo Cubico" showcase complex time signatures and philosophical lyrics. While N.1 is beloved for its melody, N.2 is worshipped for its ambition.

Corelli — Concerti Grossi, Op. 6, Nos. 1 & 2 are baroque masterpieces (Arcangelo Corelli, late 17th–early 18th century). Each concerto contrasts a concertino (small group of soloists) with the ripieno (full string ensemble). Expect clear textures, elegant ornamentation, and dance-like movements.

Using Spek (FFT spectrum) and DR14 TDR Meter:

Trolls, as a musical entity, emerged with a clear mission: to blend nostalgia with innovation, often incorporating elements from 1970s Italian library music into their sound. This genre, characterized by its lush orchestral arrangements and sometimes kitschy atmospheres, has seen a resurgence in popularity in recent years, with artists and producers worldwide drawing inspiration from its distinctive aesthetic. Trolls take this concept a step further by directly sampling and reworking these vintage tracks, presenting them in a new light that appeals to both nostalgic listeners and fans of modern electronic and lounge music.

Due to copyright laws, this article does not host direct downloads. However, collectors can find legitimate FLAC S-Top copies via:

Warning: Avoid “FLAC” files found on public torrents or YouTube converters. They are often transcoded MP3s. Look for the log file and spectral analysis (frequencies up to 22.05 kHz for CD, or 48 kHz for high-res).