Shottr is a tiny (2.3mb dmg) native app optimized for Apple Silicon. It takes only 17ms to grab a screenshot, and ~165ms to show it to you.
Make your screenshots stand out with gradients backgrounds, shadows and rounded corners.
Take a screenshot of a long web page or capture conversation in a chat. Any app, any window.
Hide parts of your screen behind pixelated curtain, or remove sensitive information as if it was never there. Text mode hides text without corrupting anything else.
Came by a text that won’t select? Press a hotkey and select an area — Shottr will parse the text and copy it to the clipboard. OCR feature also reads QR codes.
Take multiple screenshots and put them on the same canvas using the Add Capture button on the toolbar.
Make your screenshots bigger or smaller, right in the app (click on the image size in the upper right corner).
Pin images as floating always-on top borderless windows. Convenient for keeping references, or as a temporary screenshots storage.
Add text, freehand drawings, highlights, spotlights and other visual effects to your drawings.
Paste images on top of your screenshots. Make overlays semi-transparent to highlight the differences, or generate two-frame before/after animations.
Press ↑ or ↓ key and move your mouse to measure vertical size, ← or → for horizontal size. Click to imprint the measurement on the screenshot.
Select a dedicated folder to save screenshots on ⌘ s. Great for purchase receipts, reminders, archive items, random images, etc.
Think of Shottr as your digital magnifying glass. If you need to have a closer look at something, take a screenshot and zoom in.
Take a screenshot, zoom in, move your mouse over the pixel and press the TAB key to copy color under the cursor.
(Check the Feature Request Form for the other popular requests)
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Miguel is known for using the Sony A7S III for its insane low-light sensitivity, but she pairs it with vintage, manual-focus lenses from the 1980s. “Modern lenses are too perfect,” she says. “The Polar Lights are organic chaos. I use a vintage f/1.4 lens to let in the light, but I keep the slight coma distortion around the edges because it feels like you are looking through frosted glass.”
Of course, a project of this scale invites criticism. In the previews, some art critics have accused Miguel of “eco-pornography”—using the death of the cryosphere as an aesthetic prop for wealthy collectors. There is also the persistent, weary conversation about the lack of diversity in ‘extreme landscape’ art.
Miguel, who is of Indigenous Taíno and Catalan descent, dismantles this easily. “My name is Nikole Miguel,” she states flatly in the book’s foreword. “I have no ancestral claim to the Vikings or the Arctic explorers. I come from the Caribbean. I come from heat. I come from hurricanes. When I look at the Poles dying, I do not see nostalgia. I see my own future. The water that melts there will drown my grandmother’s house. Polar Lights is a eulogy, not a vacation.” Nikole Miguel Polar Lights -
Polar Lights is not a "crowd-pleaser." It is an intellectual fragrance. It is for:
The search term “Nikole Miguel Polar Lights” exploded in December 2021. Miguel was stationed in Tromsø, Norway, during a rare G4-class geomagnetic storm. Most photographers packed up at 2 AM when the clouds rolled in. Miguel stayed. Miguel is known for using the Sony A7S
At 3:17 AM, the clouds parted, and the sky erupted. She captured a 360-degree panorama of the Aurora Australis (ironically, while in the Arctic—a freak solar event). The image, titled “The Crown of Winter,” showed the Polar Lights forming a literal halo around the entire horizon.
The image was shared by NASA, the BBC, and eventually became a default wallpaper for a major smartphone manufacturer. Overnight, Nikole Miguel became the face of Aurora photography. I use a vintage f/1
The story of Polar Lights begins three years ago, not with a camera, but with a malfunction. Miguel was stationed at the Ny-Ålesund research town in Norway. While waiting for a data relay, she witnessed what she describes as a “perfect storm” of solar winds and atmospheric clarity.
“It wasn’t just green curtains,” Miguel explains in the project’s manifesto, released exclusively to this publication. “The aurora was singing. I know scientists say you can’t hear the Northern Lights, but the electromagnetic interference was creating a frequency in my headphones—a low, resonant drone. I realized then: the visual is only half the story.”
This epiphany led to a grueling production schedule across three continents: the magnetic fields of Iceland, the boreal forests of Canada, and the frosty peaks of Patagonia. The result is “Polar Lights: A Symphonic Spectrum.”
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