| Role | Name | Background | |----------|----------|----------------| | Producer | Jorge “El Maestro” Rodríguez | Veteran of salsa‑pop crossovers; known for crisp drum programming. | | Co‑writer | Miriam “Miri” Salazar | Poetic lyricist, previously worked with Ana Torres. | | Mix Engineer | Luis “Lucho” García | Grammy‑nominated for work on Bachata Revolution (2004). | | Studio | Estudio Azteca, Mexico City | Equipped with a vintage Neve 80‑Series console for that warm analog feel. |
“The idea was to keep the song ‘live’—the percussion was recorded in one take, the bassline was drawn from an old upright, and then we layered synths that felt futuristic,” Rodríguez explained in a 2012 masterclass.
The string “OyeMami 24 07 06 Naty Delgado Now Its Our Turn” functions as a semantic timestamp – a way for communities to encode history inside searchable phrases. It serves multiple purposes:
Thus, if you are reading this article because you searched for that precise phrase, you have participated in an act of digital memory-keeping.
On July 6, 2024, Delgado did not host a press conference. Instead, she released a 14-minute video on a newly created platform: OyeMami.tv – a decentralized, open-source social media space built on peer-to-peer tech. The video was titled: OyeMami 24 07 06 Naty Delgado Now Its Our Turn ...
“Now It’s Our Turn: The OyeMami Manifesto”
In that video, Delgado did three things that shocked mainstream media:
Within 72 hours, the hashtag #OyeMami trended in Colombia, Argentina, Spain, and parts of the US. By July 10, over 10,000 women had downloaded the OyeMami app (in beta).
Below is the full chorus (with a literal English translation) to ground our analysis: “The idea was to keep the song ‘live’—the
Spanish
¡Oye, mami! Dime si tú sientes lo mismo,
Que el mundo se vuelva a girar, sin miedo, sin ritmo.
Ahora es nuestro turno, rompe el silencio,
Somos la voz que no se calla, somos fuego y tiempo.
English (literal)
Hey, babe! Tell me if you feel the same,
That the world will spin again, without fear, without rhythm.
Now it’s our turn, break the silence,
We are the voice that doesn’t shut up, we are fire and time.
On July 6 2024, the YouTube channel OyeMami—the fast‑growing hub for emerging Latin‑urban talent—uploaded a sleek, 3‑minute‑45‑second video titled “Now It’s Our Turn” featuring Colombian‑American singer‑songwriter Naty Delgado. In just a handful of weeks the clip amassed over 12 million combined views across YouTube, TikTok, and Instagram Reels, cementing Delgado’s place on the radar of both mainstream pop executives and the indie‑scene that thrives on the internet’s rapid‑fire discovery model.
What started as a low‑budget visual for a track on Delgado’s self‑released EP “OyeMami 24 07 06” has morphed into a cultural moment: a rallying cry for a generation of Latinx artists demanding agency, representation, and a seat at the global pop table. The string “OyeMami 24 07 06 Naty Delgado
At its core, “Now It’s Our Turn” is a manifesto of empowerment. The verses recount the historic marginalization of Latinx women in the music industry, while the chorus—“Ya no escuchamos, ahora somos la voz / Con ritmo y con fuego, el mundo nos vio”—translates to “We’re no longer listening, now we’re the voice / With rhythm and fire, the world saw us.” The bridge features a spoken‑word segment taken from a 2023 feminist rally in Bogotá, underscoring the track’s activist leanings.
As of the writing of this article (early 2025), the OyeMami Network reports:
Naty Delgado has stepped back from daily leadership to focus on a new initiative: OyeMami Radio, a community-owned AM/FM station launching in rural Colombia.
The movement’s challenge remains sustainability. Can a decentralized, volunteer-led network resist co-optation by mainstream politics or tech investors? Delgado’s answer, in a July 2024 interview with El País, was characteristically blunt: “We’re not building the next Uber. We’re building the next mutual aid society. That doesn’t scale for profit. It scales for love.”
By early 2024, Delgado had become a target of online harassment after exposing a major delivery app’s wage theft. The harassment culminated in a doxxing attempt on June 24, 2024 (written as 24/06/24 in many international formats). However, the keyword reads “24 07 06” – which in some European and Latin American notation means July 6, 2024. That was the day Delgado launched the OyeMami Network.
Clarification on the date:
In DD/MM/YY format, 24/07/06 = 24 July 2006 (too early for this story).
In YY/MM/DD format, 24/07/06 = 2024 July 6.
Given Delgado’s known timeline, the movement ignited on July 6, 2024.