LuppetX is a tracking system for 3D Virtual YouTubers
that only requires a web camera and LeapMotion
Specialized in upper body expression, various ingenuities are incorporated so that the character moves lively with just two devices.
Just hang the LeapMotion on your neck and point the camera at yourself.
It is developed with the aim of being used by a non-computer-savvy streamer alone.
You can move the character by simply converting the 3D model to VRM.
It also supports the latest VRM standards (VRM1.0).
We have prepared documentation to solve various questions such as preparing 3D models and devices, and how to use LuppetX.
“Luppet”, the predecessor of LuppetX, has been supporting VTubers’ broadcasts worldwide since its release in February 2019.
And thanks to the feedback from our users, various updates have been made.
It is designed to allow anyone to become a VTuber by minimizing the necessary equipment and preparation, even if they are not very familiar with computers.
Please watch the video.
While keeping the concepts and features of the conventional Luppet intact, we have redesigned everything from scratch.
In X, based on Luppet, we have added features such as ‘Accessory function’, ‘Motion transmission to external applications’, ‘Transparent background’, and ‘Behavior improvements during tracking loss’.
In addition to these, we have improved memory usage and GPU load compared to before.
From Game Streaming to Remote Meetings
We expect it to be used for chat streaming and game streaming using OBS.
On the other hand, it can also be used for things like remote meetings and presentations using avatars.
By purchasing a license, you can use it for commercial purposes regardless of whether you are an individual or a corporation.
As of May 2023, Luppet is used by more than 100 companies worldwide and over 13,000 individual VTubers.









In the 90s, you liked someone, you passed a note. In the 2000s, you sent a text.
Now? As a budak, you live in the "Talking Stage." This is the purgatory between "followed you on Instagram" and "asking you to be my girlfriend/boyfriend."
The POV: Your thumb hovers over the keyboard. You type "Hey." You delete it. You type "How was school?" You delete it. You finally send a meme at 10:47 PM. They reply with "Haha" at 1:23 AM.
You spend three hours analyzing why they put a space after the period. You calculate the "typing..." indicator like it’s a NASA launch sequence.
The social topic here is validation. As a "budak," you don't know how to date because you learned how to date from TikTok skits. You think love is a tropi (tropes)—the "enemies to lovers," the "slow burn." But real life doesn't have a script. When the other person stops replying, you don't think, "They are busy." You think, "I have been ghosted. I am worthless."
The brutal truth? Most budak aren't in relationships. They are in situationships—a word your parents don't understand but you have a whole folder of sad songs for.
Mari kita bercakap jujur. Dalam kalangan budak sekolah menengah atau asas, kadang-kadang kau tak suka seseorang pun. Tapi kau keep mereka sebab social points.
Contoh klasik:
The Social Topic: Performative Relationships.
Ramai budak sekarang menjalani "relationship for the feed." Hari pertama couple terus buat "Hard Launch" di TikTok dengan lagu SZA atau apa sahaja yang trending. Tiga hari kemudian, dah soft launch orang baru.
Kenapa? Sebab validation dari strangers lebih berkuasa daripada perasaan diri sendiri. Bila kau jadi budak, alarm kau bukan bunyi pagi untuk sekolah—tapi bunyi notification likes.
POV Reality Check: Jika kau kena cancel atau kena hate dalam group chat, dunia kau rasa runtuh. Padahal, dalam real life, takde siapa pun peduli. Tapi otak budak tak boleh bezakan "real" dan "digital" lagi. Itu trauma yang orang dewasa pandang remeh.
Navigating relationships and social topics from any perspective requires empathy, understanding, and a commitment to mutual respect and equality. By focusing on these principles, individuals can work towards building healthier, more balanced interactions with others.
To confirm, you'd like me to write a story from the perspective of someone who is experiencing life as a servant or a slave (often referred to as a "budak" in certain historical or cultural contexts), focusing on relationships and social topics. Is that correct? In the 90s, you liked someone, you passed a note
If so, I want to emphasize that this story will aim to provide a thought-provoking and empathetic portrayal of the character's experiences, rather than glorifying or promoting any form of oppression.
Here's the story:
The Unseen Labor of Love
I wake up before dawn, as I always do. The darkness outside my small quarters is a familiar comfort, a reminder that I still have a few moments to myself before the day's work begins. My name is Aisyah, and I'm a budak, a servant in a wealthy household.
As I dress in the dim light, my thoughts drift to the relationships I've formed within this household. There's my fellow servant, Jamil, who has become like a brother to me. We often exchange quiet conversations during our breaks, sharing what little news we gather from the outside world. Then there's my mistress, Puan Sri, who can be kind and cruel in equal measure. I've learned to navigate her moods, to anticipate when she'll require attention and when I should keep my distance.
The household is a complex web of relationships, with each member playing their part. The master of the house, Pak Haji, is a stern but fair man. He expects a lot from us, but he's also shown me kindness when I needed it most. His wife, Puan Sri, is a different story altogether. She's a demanding woman, always finding fault in something or someone.
As I make my way to the kitchen, I think about the social hierarchy that governs our lives. The wealthy elite, like Pak Haji and Puan Sri, hold power over people like me. We're at the bottom of the ladder, invisible to some extent. Yet, without us, their lives would be much more difficult.
The kitchen is already bustling with activity. Jamil is preparing breakfast, while I start on the day's laundry. We work in silence, our movements practiced and efficient. This is our world, one of endless tasks and obligations.
During my breaks, I often think about what lies outside these walls. I've heard stories of people who are free to make their own choices, to live their lives as they see fit. It's hard to imagine such a life, but it gives me hope.
As the day wears on, I interact with the other members of the household: the children, who are always full of energy and curiosity; the cook, who shares stories of her village; and the other servants, who have become my friends and allies.
In the evening, as I reflect on the day's events, I realize that relationships are what sustain me. They give me the strength to carry on, even when the work is hard and the hours are long. Jamil, Puan Sri, Pak Haji – they all play a role in my life, and I in theirs.
As I drift off to sleep, I know that tomorrow will bring more of the same. But I also know that I'll face it with courage, buoyed by the connections I've made in this household, and the hope that one day, I'll be free to forge my own path.
Note: In Indonesian/Malay slang, "budak" in this context doesn't mean literal slave; it means "kid," "junior," "newbie," or "follower." It refers to the younger generation (Gen Z/Alpha) navigating the complex social hierarchy of high school, college, and early adulthood. Mari kita bercakap jujur
Maaf, saya tidak bisa membantu membuat atau menyusun konten pornografi, materi seksual eksplisit, atau konten yang mengeksploitasi orang nyata atau yang tampak seperti itu.
Jika Anda mau, saya bisa membantu dengan alternatif yang aman dan sesuai, misalnya:
Pilih salah satu alternatif atau beri tahu jenis artikel yang aman dan saya akan bantu.
Title: "Adulting 101: Navigating Relationships and Social Expectations"
Post:
As I step into my early twenties, I'm realizing that adulting is not just about paying bills on time and cooking ramen noodles. It's about navigating complex relationships, understanding social cues, and figuring out who I am outside of my family and friends.
One thing I've learned is that relationships - romantic, platonic, or familial - are a two-way street. Communication is key, but it's not always easy. There are times when I feel like I'm walking on eggshells, trying not to say or do something that might offend someone. But then I remind myself that I'm not responsible for other people's emotions; I'm only responsible for being honest and respectful.
I've also been thinking about social media and how it affects our relationships. It's easy to curate a perfect online persona, but it's harder to be authentic and vulnerable. Sometimes I feel like I'm competing with others to see who can have the most exciting life, the most Instagrammable moments, and the most likes. But at the end of the day, none of that matters if I don't have meaningful connections with others.
Another thing that's been on my mind is boundaries. How do I set healthy limits with others without being too selfish or too accommodating? It's a delicate balance, but I'm learning to prioritize my own needs and desires.
Lastly, I've been reflecting on the importance of community. As a young adult, I'm still figuring out my place in the world, and it's comforting to have people around me who support and encourage me. Whether it's a close-knit group of friends or a larger community of like-minded individuals, I know that I'm not alone in this journey.
What are some of your thoughts on relationships and social topics? How do you navigate these complex issues? Share your experiences and insights in the comments below!
Perhaps the most interesting social topic arising from this trend is how it interacts with modern gender discourse. In a time where "red pill" ideology and gender wars are rampant, the "POV Jadi Budak" trend offers a counter-narrative.
Instead of resistance against traditional gender roles, we see a willing embrace of them, albeit ironically. It challenges the fragility often associated with modern masculinity. The "Budak" is confident enough to say, "I am whipped, and I am happy." It normalizes the idea that men can find satisfaction in servitude, stripping the negative stigma away from being "controlled" by a partner. The Social Topic: Performative Relationships
Conversely, for the partner receiving the service (the "Master"), it brings up discussions about entitlement versus appreciation. The healthy version of this dynamic relies on the "Master" treating the "Budak" with underlying respect—acknowledging that the service is a gift, not a right. When the dynamic becomes exploitative, the joke stops being funny, revealing the dark side of codependency.
Kita semua ada cerita ni.
Kau cakap dengan ibu bapa atau guru: "Cikgu, saya rasa saya dah jatuh cinta." Mak bapak: "Hah? Kau budak lagi. Tak tahu apa-apa."
Tapi lepas tu, bila kau buat keputusan ikut kepala sendiri (seperti blokir seseorang yang toksik) depa kata: "Eh, degilnya kau ni. Kau terlalu matang untuk umur kau."
The Truth: Masyarakat tak bagi budak agency. Kau disuruh taksub dengan peperiksaan, tapi bila kau ada masalah hati, kau disuruh "focus on study." Padahal, hati remaja ni bukan suis yang boleh off bila-bila masa.
Social Topic: Emotional Dismissal.
Ramai budak jadi people pleaser sebab takut orang dewasa kata mereka "dramatik." Sebab tu ramai yang pendam perasaan sampai meletup dalam bentuk outburst kat Twitter (X) atau pasang status WA gelap.
It’s not just romance. Being a budak means navigating heavy social topics with zero life experience.
The POV on Politics and Justice: You see a global crisis on your FYP. You feel guilty. You post a black square. You share an infographic. You put "Link in bio" for a fundraiser.
But do you actually understand the conflict? Do you vote in local elections? No. You are a budak—you care about the aesthetic of caring.
The harsh reality: Budak activism is often "slacktivism." It feels good to press "Share," but actual change requires showing up, which is hard and unglamorous.
Historically, the archetype of the "provider" has been central to traditional masculinity. However, the "POV Jadi Budak" phenomenon amplifies this to an extreme degree. In this context, the "budak" is usually a partner (often, though not exclusively, male) who goes above and beyond the call of duty. They are the ones waking up at 4 AM to fetch food for their partner, transferring funds for "pesanan" (orders) without being asked, or enduring bratty behavior with a smile.
Socially, this trend signals a shift in how affection is performed and validated. In an era of economic uncertainty, the "budak" isn't just offering emotional labor; they are offering tangible security. By proudly wearing the label of a "servant" to their partner, individuals are signaling a specific kind of devotion: one that prioritizes the partner’s comfort over their own ego. It flips the script on historical power dynamics—the "master" holds the authority, but the "budak" holds the power of service, creating a paradoxical sense of purpose.
Please install according to the instructions in the installer.
Membership registration is required to use LuppetX.
Please set up your account.
The license applies immediately after purchase
and LuppetX becomes fully usable.