Prisoners -2013- 720p 10bit Bluray X265 Hevc -o... -
You can create such a file yourself using HandBrake or FFmpeg:
ffmpeg -i input.mkv -c:v libx265 -preset slow -crf 20 -pix_fmt yuv420p10le -vf scale=-2:720 -c:a aac -b:a 128k output.mkv
This produces a legal backup under fair use / private copy laws in some countries.
Before diving into the bits and bytes, let us remember the source material. Prisoners (2013) stars Hugh Jackman as Keller Dover, a desperate father whose daughter goes missing on Thanksgiving. Opposite him is Jake Gyllenhaal as Detective Loki, a tattooed, obsessive cop. Roger Deakins’ cinematography is deliberately bleak—rain-slicked streets, dying fluorescent lights in basements, and the suffocating gray of a Pennsylvania winter. Prisoners -2013- 720p 10bit BluRay x265 HEVC -O...
This is a film that lives in shadows. Banding artifacts (those ugly stripes of color in gradients) are the enemy of such a visual palette. This is precisely why the 10bit color depth in an x265 encode is not a luxury, but a necessity.
Given that the keyword ends in -O..., this suggests you are looking at an incomplete release name on a DDL (Direct Download) forum or an indexer. To find the complete, authentic file: You can create such a file yourself using
Standard video is 8bit (256 shades per RGB channel). 10bit offers 1,024 shades. Why does this matter for Prisoners?
This filename pattern is almost exclusively associated with copyright-infringing copies. Downloading or distributing this file without authorization violates copyright law in most jurisdictions (e.g., DMCA in the US, CDPA in the UK). This produces a legal backup under fair use
If you're looking to convert or work with this file:
The older x264 is efficient, but x265 is revolutionary. It reduces the file size by an additional 30-50% compared to x264 at the same perceptual quality. For a long, slow film like Prisoners, x265 ensures that the static shots (a window, a face, a maze) use minimal data, while chaotic rain scenes get the bits they need.