| Parameter | Detail | |-----------|--------| | Supported Input | Stereo WAV, AIFF, FLAC, MP3 (up to 384 kHz / 32-bit float) | | Output | 5.1 WAV (interleaved or discrete), ADM BWF, MP4 Surround | | Latency | Zero-latency in live mode; 1024 samples in HSA mode | | Processing | 64-bit double-precision internal path | | Mono Compatibility | User-variable correlation meter; fold-down to mono with <0.5 dB cancellation | | Surround Formats | ITU 5.1 (L/R/C/LFE/Ls/Rs), Film (L/C/R/Ls/Rs/LFE) | | AAX / AU / VST3 | Yes (macOS 10.15+, Windows 10/11) | | Standalone App | Included (batch processing, watch folders) |
Before diving into the software, it’s important to understand the challenge. Standard stereo audio is mixed for two channels (Left and Right). A 5.1 system requires six distinct channels:
Generic upmixers often just "clone" the front channels to the back, creating a muddy sound field. You lose the immersion. This is where the VI Suite differs—it uses algorithmic analysis to create a true surround field.
You shot a short film on a DSLR. The audio is stereo. Netflix requires a 5.1 delivery spec. VI Suite can isolate your boom mic audio (center) from the room tone (rears) instantly, saving you $5,000 in ADR studio costs.
1588-0262
| Parameter | Detail | |-----------|--------| | Supported Input | Stereo WAV, AIFF, FLAC, MP3 (up to 384 kHz / 32-bit float) | | Output | 5.1 WAV (interleaved or discrete), ADM BWF, MP4 Surround | | Latency | Zero-latency in live mode; 1024 samples in HSA mode | | Processing | 64-bit double-precision internal path | | Mono Compatibility | User-variable correlation meter; fold-down to mono with <0.5 dB cancellation | | Surround Formats | ITU 5.1 (L/R/C/LFE/Ls/Rs), Film (L/C/R/Ls/Rs/LFE) | | AAX / AU / VST3 | Yes (macOS 10.15+, Windows 10/11) | | Standalone App | Included (batch processing, watch folders) |
Before diving into the software, it’s important to understand the challenge. Standard stereo audio is mixed for two channels (Left and Right). A 5.1 system requires six distinct channels:
Generic upmixers often just "clone" the front channels to the back, creating a muddy sound field. You lose the immersion. This is where the VI Suite differs—it uses algorithmic analysis to create a true surround field.
You shot a short film on a DSLR. The audio is stereo. Netflix requires a 5.1 delivery spec. VI Suite can isolate your boom mic audio (center) from the room tone (rears) instantly, saving you $5,000 in ADR studio costs.
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